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Shadow of the spear,  1997
6 x ti-tree spears, 6 x slip-cast ceramic swans'  eggs, 6 x rows of copperplate
 text subsequently pyrographically burnt onto Tasmanian Oak slats.
These slats are placed in the six shadows cast by the spears leaning on the wall.
collection of the Art Gallery of Western Australia

 

 

This artwork visually presents one key broken and unfulfilled promise made between Europeans and Aboriginal people early in the 1800s. This is a story which awaits, unsettled and unresolved beneath this island's surface to this day.

This project's central argument is as follows:

George Augustus Robinson's account relates a hugely significant moment in Tasmanian, Australian, and my own family's history. George Augustus Robinson recorded the incident when he promised a future that he could not possibly render in reality. This was a desperate lie to a people equally desperate to believe in their own survival.

Years later, Mannalargenna cut off his hair aboard ship north of Swan Island, probably as an act of grieving when he finally lost all hope. He died of pneumonia shortly afterwards on December 4, 1835 on Flinders Island- one month after Robinson had transported him to Wybalenna from mainland Tasmania and four years after he had first met and begun travelling with Robinson on his 'Friendly Mission'.

The quoted passage leapt from page 394 of 1073 pages of incessant details of meals and climate which swamped and served to render this occurrence less distinct in the body of words which had consumed and subsumed it.

This account was made personally potent by time spent in the far north east of Tasmania during the genesis of the work which became Shadow of the Spear (1997). I witnessed across the sea the same islands as did the people in the story seven generations ago. Mannalargenna is my great great great great grandfather. 

The power of the physical presence of the site, and the overlapping seams of history connecting then and now, became apparent to me when at the location. I realised that a material conjunction between past and present can provide the dialogue and means for a story, apparently set within a closed-book, to be reconsidered within a visual  art-practice.  

As a consequence, I made the materials described in the journal and placed them alongside the words from that time. They work together to speak of my awareness of the incomplete transaction, and they express the chance for a resolution to take place when memory is reactivated.

AUG 6, 1831 "Friendly Mission" GA Robinson.

Opposite Swan Island.

This morning I developed my plans to the chief Mannarlargenna and explained to him the benevolent views of the government towards himself and people.

He cordially acquiesced and expressed his entire approbation of the salutary measure, and promised his utmost aid and assistance.

I informed him in the presence of Kickertepoller that I was commissioned by the Governor to inform them that, if the natives would desist from their wonted outrages upon the whites,

they would be allowed to remain in their respective districts and would have flour, tea and sugar, clothes & C given them

that a good white man would dwell with them who would take care of them and would not allow any bad white man to shoot them, and he would go with them about the bush like myself and they then could hunt.     He was much delighted. 

The chief and the other natives went to hunt kangaroo: returned with some swan's eggs which the chief presented me with as a present from himself- this was an instance of gratitude seldom met with from the whites.