Julie Gough

Artist CV

Born in Melbourne, 16 March 1965

Currently lives in Townsville, Queensland, Australia

Contact details below at end

Selected studies- Academic:

2001                 Aug. 2001 awarded PhD  (Fine Arts). University of Tasmania, Hobart

Exegesis:  Transforming histories: The visual disclosure of contentious pasts

1998                 MA  Fine Arts Goldsmiths College, University of London

1994                 Bachelor of Fine Arts Honours- First Class, University of Tasmania, Hobart

1993                 Bachelor of Visual Arts, Curtin University, Western Australia

1986                 Bachelor of Arts, Prehistory/Anthropology and English Literature

University of Western Australia

Selected Prizes/Awards:

2007                 1 Dec 2006 - 1 Dec 2008. Visual Arts and Craft Board, Australia Council for the Arts, Visual Art Fellowship, 2007-2008:

                   Walking Homeland  - An expansion of research and art practice on home and diaspora.

2007                 April - July 2007 State Library of Victoria Creative Fellowship:

                   Strait crossings - Nineteenth century Indigenous relocation between Victoria and Van Diemen's Land and beyond.  The production of an annotated bibliography and a wall projection project about cross Bass Strait  relationships between Aboriginal people and sealers/whalers c.1795-1850

2006                 December. Tasmaniana Library, State Library of Tasmania Fellowship:

                   Picturing our past: a narrative response to representations of Indigenous Tasmania.

2006                 Regents Court Hotel, Potts Point, Sydney. One month artist residency May - June.

2001                 Australia Council, Greene St New York Residency for Feb - May 2002

2001                 Commonwealth Arts and Craft Award, London. Residency on Mauritius Sept. 2001 - Feb. 2002

2001                 Arts Tasmania Wilderness Residency  at "Eddystone Lighthouse" Aug. 2001 & Aug. 2002

1999                 Arts Tasmania/Qantas Artsbridge Grant to install work at Liverpool Biennial, UK

1996                 SAMSTAG International Visual Arts Scholarship for 1997/8: MVA Goldsmiths College, University of London

1996                 Arts Tasmania Development Grant to attend/install work at Cologne Art Fair,  Germany

1996                 Awarded an installation space as one of 25 "Young, emerging  artists" by the Jurors  of Art Cologne

(as part of the Forder Program, 1996)

1995                 Arts Tasmania Development Grant to attend/install work at PERSPECTA 1995, Sydney

1994                 Attained First Class Honours. Awarded Australian Postgraduate Award Scholarship

1993                 Curtin University Graduate Sculpture Prize. Curtin University Graduate Drawing Prize

1991, 1993        Member of Vice-Chancellor's List, Curtin University (Academically Highest 1% across University)

1993                 Curtin University Graduate Sculpture Prize and Graduate Drawing Prize

Other relevant experience:

2005 - 2006       Member, Peer Assessment Board, Arts Queensland

2005 - 2006       Committee member and co-judge of the X-Strata Emerging Indigenous Artist Award, Queensland  Art Gallery, Brisbane

2005 - 2006       Committee Member, Umbrella Studio, Townsville

2005 - 2006       Committee Member, 2006 NAIDOC Exhibition TATSICC/PINNACLES Townsville

2006                 Panel Member, Riverways Public Art Project, Thuringowa Council

2004                 Co-judge of the annual Telstra NATSIAA (National Aboriginal and Torres Strait Islander Art Awards)
Awards hosted by the Museum and Art Gallery of the Northern Territory

2004,2005,2006 Co-judge of the National Interpretation Awards

2003 +              Honorary Research Fellow, Riawunna, Centre for Aboriginal Education, University of Tasmania

2003                 Tasmanian representative of the Aboriginal and Torres Strait Islander Arts Board of the Australia Council

1996                 Committee Member of Karadi Aboriginal Women's Corporation, Berriedale, Tasmania

Collections represented in: 

Tasmanian Museum and Art Gallery, Hobart

National Gallery of Victoria, Melbourne

National Gallery of Australia, Canberra

The Art Gallery of South Australia, Adeladie

The Art Gallery of Western Australia, Perth

National Museum of Australia, Canberra

Powerhouse Museum, Sydney

Mildura Arts Centre, Victoria

Tamworth Regional Gallery, NSW

Devonport Regional Gallery, Tasmania

Flinders University collection, South Australia

City of Port Phillip, Victoria

Private collections

Solo exhibitions:

2002-2004         Chase, Imperial Leather Installation, Ian Potter Centre: National Gallery of Victoria

2002                 passages Mahatma Gandhi Institute, Mauritius

2001                                  Heartland Gallery Gabrielle Pizzi, Melbourne

Stand Midlands Highway installation, Tasmania

                        ice, earth, air, fire, water, ice Midlands Highways Installation, Tasmania

Tense Past PhD Examination. Plimsoll Gallery, University of Tasmania, Hobart

1997                 Re-collection Gallery Gabrielle Pizzi, Melbourne

1996                 Dark Secrets/Home Truths Gallery Gabrielle Pizzi, Melbourne    

Selected group exhibitions:  

2007                 Strait on Shore collaborative art project with King Island Community for 10 Days on the Island festival, Currie shop, King Island, 16 March - 1 April

                        An Other Place, Long Gallery, Salamanca Arts Centre, 10 Days on the Island festival, Hobart, 22 March - 29 April 

                        Lessons in History: Volume 1, Grahame Gallery, Brisbane, 24 March - 28 April 

Indigenous Responses to Colonialism: Another Story, Artspace - Adelaide Festival Centre, 31 March - 29 April 

2006                 TIDAL - City of Devonport Art Award, Devonport Regional Gallery, 1 Dec 2006 - 28 Jan 2007

                        From an island south, ASIALINK and Devonport Regional Gallery touring 2006-2007 exhibition to Lahore, Kuala Lumpur, Bangkok.

                        In the world: hand, head, heart, Tamworth Textile Biennale, Tamworth Regional Gallery, NSW, 9 September - 5 November.  Touring nationally:

Artspace Mackay, QLD: 23 March - 29 April 2007; Gippsland Art Gallery Sale VIC: 13 July - 19 August 2007; Mosman Gallery, NSW: 2 September - 14 October 2007; Gold Coast City Art Gallery, QLD: 8 December - 10 February 2008; Flinders University Art Museum, SA: 20 June - 3 August 2008; Swan Hill Regional Art Gallery, Swan Hill VIC: 29 August - 12 October 2008; Orange Regional Gallery, Orange NSW: 31 October - 14 December 2008

Biennale of Sydney, Pier 2/3, Walsh's Bay, Sydney, 7 June - 27 August 2006

Senses of Place, Plimsoll Gallery, University of Tasmania, Hobart

                        Single Currency, Victoria College of the Arts, Melbourne

                        Ephemeral art at the Invisible Lodge, Friendly Beaches, Freycinet Peninsula, Tasmania

2005                 Recent Acquisitions (exhibition):  City of Port Phillip, Linden - St Kilda Gallery for Contemporary Art

                        Habitus-Habitat, 8 artists respond to Wallaman Falls, Great Walks of Queensland Art
                        and Environment, Perc Tucker Regional Gallery, Townsville

                        National Aboriginal and Torres Strait Islander Art Award (NATSIAA),
                        Museum and Art Gallery of the Northern Territory, Darwin

                        Cross Currents, Linden Centre for the Arts, St Kilda, Victoria, 28 June - 7 August

                        Ware and Tear,  Chewton, Victorian Goldfields, Castlemaine Festival, 2 April - 8 May  

                        Isolation/Solitude,  Salamanca Arts Centre, Hobart, Tasmania, 31 March - 1 May 

                        On Island, Devonport Regional Gallery, Tasmania, 11 March - 17 April  

2004                 120 degrees of Separation, Linden - St Kilda Centre for Contemporary Art, St Kilda, Victoria, Australia

If only you knew, Melbourne Town Hall

2003                 Outside Inside: Fragments of Place, Brigham Young University Museum of Art, Provo, Utah, USA. 9 October 2003 - 18 April 2004

<Abstractions> 3 Oct - 9 Nov 2003 Drill Hall Gallery, ANU, Canberra. FUSIONS across the Arts,
Centre for Cross Cultural Research ANU & ANU School of Art

2001                 Touching from a distance, Foyer, Hobart and Moores Building, Fremantle. Nov.2001

Hutchins Art Prize Hobart, Tasmania, November 2001

"Captive" and "Witness", ESP  Project, Queen Victoria Museum and Art Gallery, Launceston, Tasmania

What's Love got to do with it? Royal Melbourne Institute of Technology, Melbourne

Home is where the heart is, Country Arts SA. Touring exhibition. South Aust.  2001.

Driving Black Home, 2000  by Julie Gough  and Natives on the River Ouse, 1838 by John Glover

Australian Collection Focus.  Art Gallery of New South Wales

Between Phenomena- The Panorama and Tasmania, Plimsoll Gallery, University of Tasmania

Response to the Island. IDEAS, MATERIALS, PROCESSES, CONNECTIONS...

Long Gallery, Hobart

2000                 Biennale of Contemporary Art, Festival of Pacific Arts, Noumea

heart on your sleeve, Plimsoll Gallery, University of Tasmania, Hobart

Australian Painting Now, Access Gallery, Curtin University, WA

Shifting Axis, Bett Gallery, Hobart

1999                 National Gallery of Victoria, Russell Square

Mapping our Countries, Djamu Gallery, Australian Museum, Sydney

TRACE- Liverpool Biennial of Contemporary Art England

Whispers, Lies and Text, Central Coast Gallery, NSW

NAIDOC Exhibition, Moonah Arts Centre, Tasmania

Whispers, Lies and Text, Artspace, Adelaide Festival Centre

Whispers, Lies and Text, University Gallery, Launceston

People, Places, Pastimes, Global Arts Link, Ipswich, Queensland

Butcher Cherel, Julie Dowling, Julie Gough, Artplace, Festival of Perth

Luna Park and the Art of Mass Delirium, Museum of Modern Art at Heide,  Victoria

1998                 Sculpture by the Sea, Eaglehawk Neck Bay, Tasman Peninsula, Tasmania

Whispers, Lies and Text, CAST Gallery, Hobart. University Gallery, Launceston

The Kate Challis RAKA Award Exhibition, Ian Potter Museum of Art,

University of Melbourne

MA (Fine Arts) Exhibition, Goldsmiths College, University of London

"Globalising Cultural Studies ?"- Pacific Asia Cultural Studies

Conference Exhibition, Goldsmiths College, London

Telling Tales, Ivan Dougherty Gallery, University of Sydney

and Neue Galerie am Landes Museum Joanneum, Graz, Austria

All this and Heaven too, Adelaide Biennial, Art Gallery of South Australia

Permanent Collection Exhibition, Tasmanian Museum and Art Gallery, Hobart

1997                 Black Humour, CCAS (Canberra Contemporary Artspace)- touring to five other venues during 1997/98/99

Indigenous Cultures in an Interconnected World, Fulbright Symposium Exhibition,  MAGNT, Darwin

NAIDOC Exhibition, Moonah Arts Centre, Hobart

Extracts, Boomalli Aboriginal Artist's Co-Operative, Sydney

Unusual Treasures, La Trobe University Gallery at Mildura Arts Centre, Victoria

1996                 Cologne Art Fair, 10-17 Nov, 1996, Germany: "Forderprogram"  

Castlemaine Festival 1996, Gallery Gabrielle Pizzi

ACAF5 (Australian Contemporary Art Fair #5) Melbourne, Gallery Gabrielle Pizzi

Also conference speaker "Landscape and Memory".

Multiples and Memories, Schoolhouse Gallery, Rosny Historic Centre, Tasmania

Through Their Eyes- NAIDOC Exhibition 1996 St Kilda Town Hall, Victoria

NAIDOC Exhibition 1996  Moonah Arts Centre, Hobart

Something to do with Ears, Conservatorium of Music, University of Tasmania

Wijay Na ? (Which way now ?)   Exhibition- 24 Hr Art, Darwin

Conference Speaker- MAGNT (Northern Territory Museum and Art Gallery)

"Disturbed Nature"- New Music Tasmania Installation, Tasmanian Museum and Art Gallery, Hobart

Mutiny on the Docks, Tasmanian Museum and Art Gallery, Hobart

Handbag, Festival Theatre Foyer, Adelaide

1995                 On a Mission, Boomalli, Sydney

Significant Distractions, Couch Culture Gallery, Hobart

New Faces - New Directions, Gallery Gabrielle Pizzi, Melbourne

Nuini -  We have Survived, Tasmanian Aboriginal Group Show, University of Tasmania Gallery, Launceston

Perspecta 1995 Art Gallery of New South Wales

1994/5/6            Superfictions - National Touring Exhibition

1994                 Art From Trash, Moonah Arts Centre, Tasmania

Presto, Honours Graduate Exhibition, Plimsoll Gallery, Hobart

National Graduate Exhibition, P.I.C.A. Perth Institute of Contemporary Art, West Australia

12 Days Stuck in a Hole, Fine Arts Gallery, Sandy Bay, Tasmania

1993                 Curtin University BFA Graduate Show, Bentley, West Australia

1992                 A Matter of Degree Group Show, Craft Council Gallery, Perth

1991                 End of First Year Show, Curtin University, West Australia

Conference  papers:

2006                 People Identity & Place Seminar Series 2006, JCU, Townsville, 6 October 2006

                        'Making sense of place: the interdisciplinary potential of art, historic and contemporary, in reading Indigenous Tasmania'.

2006                "Intruder Alert!: the meaningful layering of later history across Tasmanian place", Senses of Place
    conference, University of Tasmania and National Museum of Australia, Hobart, April 4-6

2005                 "Regeneration: Moving places and art making about Tasmanian Aboriginal history",
Remembering Place/Dismembering Home, 9th WIP conference

University of Queensland, 30 September 2005

"BARE TO THE BONE: ABSENCE AS MEMORIAL IN TASMANIA" Art and Commemoration, ANU, 31 July 2005

"Past Tense/Present Tenable" Creative Territories Conference, Noosa Regional Gallery, June 18 2005

2004                 "How do Market forces influence contemporary Indigenous Australian artists?", Blak Insights: Indigenous Voices

New Directions, Queensland Art Gallery, 3-4 July , 2004

                        'Voices and Sources- Making Art and Tasmanian Aboriginal History', read at  the Colonialism and Its Aftermath

An interdisciplinary conference, June 23-25, 2004, University of Tasmania, Hobart

2003                 "Woretemoeteyerner: Ancestral currents" co-presented with Maggie Walter at AIATSIS Indigenous Researchers

Forum, 1-3 October 2003, ANU

"Still Present Currents" read at Fusion across the Arts Symposium, 10-12 April 2003, Australian National

University Centre for Cross Cultural Research

2002                 "Pathways to the past" read at Indigenous Researcher's Forum, Curtin University, WA. 27-29 November 2002

"Art as recovery: connecting with spirit through cultural practice" read at

WIPCE (World Indigenous People's Conference on Education), Calgary, Canada, August 5^th 6^th 2002

2001                 "Portrait by Place- land and language" read at the Portrait and Place Conference, University of Tasmania/ANU,

School of Art, Hobart, 1^st September 2001

"Gaze, guise, ruse of Hybridity" paper read at the University of Tasmania Colonialism and Its Aftermath

Research Cluster forum, 27 July, 2001

1997                 Paper 'Indigenous Cultures in an Interconnected World- A Tasmanian perspective' read at:  Fulbright Symposium

Indigenous Cultures in an Interconnected World, MAGNT ( Museum and Art Gallery of the Northern Territory), Darwin, July 24- 27, 1997

Artist presentation at the opening of Black Humour Exhibition, CCAS (Canberra Contemporary Art Space), July 199.

1996                 Paper 'Landscape and Memory' read at the ACAF5 Conference (Australian Contemporary Art Fair, Melbourne)

Upside down at the bottom of the World, October 5, 1996

Paper 'Dark Secrets/Home Truths continued...' read at the Hobart Art Teachers Conference, School of Art,

Hobart, October 4, 1996

Paper 'Dark Secrets/Home Truths' read at Wijay Na ....? Aboriginal and non-Aboriginal Art and Artists Conference,

MAGNT 15-16 June, 1996

Publications:

2006                 Gough, J, 'Trading Places - why make Indigenous Art and where goes culture?”, MACHINE,

                     Artworkers Alliance Queensland, Brisbane, Dec 2006, issue 2:3, issn: 1834-0237, pp.7-9

                    Gough, J, 'Being collected and keeping it real', Keeping Culture: Aboriginal Tasmania, (ed) Amanda Jane Reynolds,

                    National Museum of Australia, Canberra, ISBN 1 876944 48X, pp. 9-20

                    The Xstrata Coal Emerging Indigenous Art Award: some thoughts from the baseline', Julie Gough, Artlines - Queensland
Art Gallery contemporary Art Journal, April 2006

"Being there, then and now-aspects of south east Aboriginal art",

Julie Gough, Landmarks exhibition, National Gallery of Victoria catalogue, February 2006

2005                 "Space to Move and Grow: Bill Viola, Dadang Christanto, Hany Armanious, Wendy McGrath" Art and Australia,
Julie Gough, Vol 43 No 2 Summer 2005

"Recovering", Cross-Currents exhibition catalogue essay, Julie Gough, Linden- St Kilda Centre for Contemporary Art,
2 July- 7 August, 2005

"Aboriginal Art", " Langerrareroune (Sarah Island)", "Oyster Cove", "Penemeroic, Toinneburer, Rawee",
in ed. Alexander, Alison, The Companion to Tasmanian History, Centre for Tasmanian Historical Studies,
University of Tasmania, ISBN 186295223X, Julie Gough, four entries  p.1, 206, 261-2, 268-9

2004                 "Richard Browne", "Benjamin Dutterau"  "Conrad Martens", "John Skinner Prout", in ed. Lindsay, Frances,
The Joseph Brown Collection, National Gallery of Victoria, 2004, ISBN 0724120523 pbk, Julie Gough, p.40; p.42; pp 46-7; p.50

"Minyma Tjuta: Many women working with fibre and the figures of Kantjupayi Benson" in ed. Judith Ryan,
Colour Power- Aboriginal Art post 1984, National Gallery of Victoria, 2004, ISBN  0724120566  pbk,
Julie Gough and Thisbe Purich, pp126-130

'Every which way but lost- the surround sound of skin', SKIN exhibition catalogue essay,
Long Gallery, Salamanca Arts Centre (Touring exhibition) , Hobart. 8 July- 8 August, 2004

2001                 'Messages received and lately understood', Australian and New Zealand Journal of Art, Vol.2, Number 1, Julie Gough, pp.155-162

2000                 'Cultural Relevance and Resurgence: Aboriginal Artists in Tasmania Today', Oxford Companion to Aboriginal Art
and Culture, ed. Sylvia Kleinert and Margo Neale, Oxford University Press, ANU, 2000, ISBN 0195506499, Julie Gough, pp.255-259

'Physiological Adaptation to Cold and other true horror stories', Oxford Companion to Aboriginal Art and Culture,

ed. Sylvia Kleinert and Margo Neale, Oxford University Press, ANU, 2000, ISBN 0195506499, Julie Gough, p.97     

'Talking Together- Conversations between artworks', Catalogue essay for the ExhibitionTalking Together

Curated by Lola Greeno, University Gallery, Launceston, September, 2000, Julie Gough, pp.4-8

'History, Representation, Globalisation and Indigenous Cultures : A Tasmanian Perspective', in Indigenous Cultures

in an Interconnected World, ed. Claire Smith and Graeme Ward, Allen & Unwin, 2000, ISBN 186448926X , Julie Gough, pp.89-108

1997                 'Cultural Relevance and Resurgence- Aboriginal Artists in Tasmania Today', Art and Australia, Sept.1997, Vol.35 /No.1,

Julie Gough, pp.108-115

'History, Representation, Globalisation and Indigenous Culture- a Tasmanian Perspective', Fulbright Symposium papers,

July 1997, Julie Gough

'Indigenous Australians in the Australian Museum', Periphery #31, May 1997, Julie Gough, pp.10-13

1996                 'From the Deep South bearing True North- Reflections on the Wijay Na ? Conference and Exhibition', Periphery # 28,

August 1996, Julie Gough, p.7

1995                 'N.J.B. Plomley- My memories of that meeting', Pugganna,  TAC (Tasmanian Aboriginal Centre Inc), Feb 1995, No.42, Julie Gough

Exhibition  catalogues (represented in):

2006                 'Unsettledness - Julie Gough's LOCUS', Judith Ryan, Biennale of Sydney 2006 catalogue, ISBN  0 9580  403 1 1,

                    editor/curator Charles Merewether, 7 June - 27 August, pp.120-1

                        In the world: Head, Heart, Hand, the 17^th Tamworth Regional Textile Biennial 2006,

                   Thwaites, V, ISBN-13:978 0 9577871 7 9 & ISBN-10: 9577871 7 0, p.7, 19

                   An island South, An Asialink/Devonport Regional Gallery Touring Exhibition, Stewart, Jane, ISBN 0 7430 3660 4, pp. 1-10

                        Senses of Place, Plimsoll Gallery, University of Tasmania, Hobart, 4-26 April 2006

                        Single Currency, Victoria College of the Arts, Melbourne, 3-25 March 2006

2002                 Flagship: Australian Art in the National Gallery of Victoria, 1790-2000, 2002, Ed. Isobel Crombie,
National Gallery of Victoria, p.78

Indigenous Australian Art in the National Gallery of Victoria, NGV, 2002. p.20

2001                 Home is where the heart is, Country Arts South Australia Touring Exhibition. ISBN 09595800-6-9

What's Love got to do with it, RMIT Gallery Melbourne, August 2001

Response to the Island catalogue, Salamanca Arts Centre Inc. Tasmania, 2001. xISBN 0 646 41342 2

Between Phenomena: The Panorama and Tasmania catalogue, University of Tasmania, 2001. ISBN 0 85901 944 6

John Glover Natives of the Ouse River Van Diemen's Land 1838  and Driving Black Home 2000 catalogue,

Australian Collection Focus Series, Art Gallery of New South Wales, 2001

10 Days on the Island Festival Brochure, 2001, Tasmania. Page 36

2000                 Biennale d'art contemporain de Noumea Catalogue, Agence de developpment de la culture Kanak,
ADCK, 2000, ISBN 2-909-407-86-1, p42, 131

heart on your sleeve catalogue, Plimsoll Gallery, University of Tasmania, Hobart

1999                 TRACE - Liverpool Biennial Catalogue, Liverpool, England

Luna Park and the Art of Mass Delirium Catalogue, Museum of Modern Art at Heide, p.30 (Illust)

'Some Notes on Sport, Masculinity, Globalism and Art' in Exploring Culture and Community for the

21st Century catalogue, Global Arts Link, Ipswich, 1999. ISBN 0958634807.  p.75 (illust.)

Mapping our Countries catalogue, Djamu Gallery, Australian Museum, Sydney

1998                 Whispers, Lies and Text catalogue, CAST, Hobart  (Illust)

Sculpture by the Sea catalogue Nov. 1998 (Illust p.16)

Telling Tales catalogue, Ivan Dougherty Gallery and Neue Galerie am Landesmuseum Joanneum,
Graz, Austria. p.26, 55 (Illust.p.26)

'My Tools Today' inAll this and Heaven too- Adelaide Biennial catalogue, 1998, Clare Williamson,
p.34, 35, 69 (Illust. p.35)

1997                 Black Humour  catalogue, CCAS, ACT, July 1997, p.21,22 (Illust p.21)

Extracts catalogue, Boomalli, Sydney, April 1997 (Illust.p.3)

1996                 Cologne Art Fair Catalogue, Oct. 1996

Dark Secrets, Home Truths  catalogue, Gallery Gabrielle Pizzi, Melbourne

ACAF5 (Australian Contemporary Art Fair #5) catalogue, Melbourne, Gallery Gabrielle Pizzi

Also conference speaker"Landscape and Memory"

1995                 'The Eagle has Landed', Perspecta 1995 catalogue, Peter Hill, Art Gallery of New South Wales, Feb. 1995, p.46

Nuini catalogue, University Gallery, Launceston, Tasmania, April 1995

DVD:              

2007                "Julie Gough: we walked on a carpet of stars", 26 minutes, Creative Cowboy films, ISBN 0-9757794-4-3, www.creativecowboyfilms.com

2007                "Julie Gough: The Australian Art Resources pack", 2 x dvd, 1 x cd education resource, www.creativecowboyfilms.com

Reviews:

2006                 'Revelations in the dark, The Sydney Morning Herald, June 24-25, John McDonald, pp.16-17

                   'Biennale fever' Artnotes NSW, Courtney Kidd, Art Monthly Australia, July 2006, Number 191, p.49

                        'A world of difference', Arts: The Australian, Tuesday June 13, Sebastian Smee, p.14

2005                'Melancholy Debris: Black Humour and Colonial Memory in grids by Julie Gough', Southerly, Vol 65, Number 1, University of Sydney, Marita Bullock, pp.35-44
 

2003                 'Interview with Frances Lindsay. NGV deputy Director (Australian Art)', Gallery, Jan/Feb 2003, p.19

'Turning a love of art into a change of heart', Agenda- Sunday Age, February 2, 2003, Suzy Freeman-Greene, p.2

2002                 'Julie Gough's Leeawuleena', ABV 42- The Annual Journal of the National Gallery of Victoria, Judith Ryan, p.66-67

'Drawing Power', Herald Sun, Tues November 26, 2002, Kate Jones, p.49

'Impressive edifice puts art into focus', Sydney Morning Herald, Anthony Dennis, October 30, 2002

'Art Transplant', The Age, October 25, 2002

'Precious skill endures', The Mercury, Hobart, Tania Hill, Oct 22, 2002, p28, 29

2001                 'Les installations ludiques de Julie Gough', Weekend Scope, Mauritius, 6-12 Fevrier 2002, p.73

'Julie Gough', Sunday Vani, 10 Fevrier 2002, Sarita Boodhoo, p.24

'Les errances initiatiques de Julie Gough', l'Express, Mauritius, 4 Fevrier, 2002, Jeanne Gerval-Arouff, p.7

'Julie Gough', Jan Vani, Mauritius, 8 February 2002, p12

'Remembering  Jesus: the child in Australian Aboriginal art', Artlink, vol.21 #2, Brook Andrews, pp.20-21. (illust.)

Illustrations for the Arts Tasmania Grants Handbook 2001

'Tense Past- Narratives of Gaps and Silences', Artlink, vol.21 #2, Greg Lehman, p.88. (illust.)

'The big idyll', Spectrum - The Sydney Morning Herald: Spectrum May 12-13, 2001, Bruce James, pp.12-13. (illust.)

'Wild Art at the World's End', Artlink, Vol.21 #1, Peter Grant, p.16, p.17 (image)

inSITE  Museums Australia (Victoria) Newsletter, April-May 2001, Cover image (Detail of: The Whispering Sands

(Ebb Tide), 1998) and brief story p3

2000                 'Julie Gough',  Oxford Companion to Aboriginal Art and Culture, ed. Sylvia Kleinert and Margo Neale, Oxford University Press,
ANU, 2000, ISBN 0195506499, Hannah Fink, pp.594-595

'Australia's Indigenous Arts', Australia Council, NSW, 2000, ISBN 0642472300,  p.34 (image/text) p.52

'Julie Gough', by Ted Snell in Australian Painting Now, ed. Laura Murray Cree and Nevill Drury,

Fine Art Press, Craftsman House, Sydney, ISBN 905703252X,  pp.132-135. (2 col. images)

'The Diversity of Practice', Artlink, Vol.20, #1, 2000, Maurice O'Riordan, p.65

'Liverpool Biennial', The Burlington Magazine, Jan 2000, Tony Godfrey, pp.53-55

'Global Virus- Latest Symptoms', Broadsheet, Summer 99/00, Vol 28, No.4,

Contemporary Art Centre of SA, Shane Breynard, p.22

University of Tasmania Research Report 1999, University of Tasmania, 2000. p.20 (2 col. Images)

1999                 'Trace - Liverpool Biennial of Contemporary Art', Art Monthly UK, November 1999, #231, Valerie Reardon, pp.34-35

'Rich Creativity', Methodist Recorder, October 14, 1999, Paul Flowers, p.13 (illust.)

'Whispers, Lies and Text', DB Magazine, June 16-29, 1999, David OBrien

'The Liverpool Biennial of Contemporary Art- Program', Art Forum International, Summer 1999

'Art Notes- Tasmania', Art Monthly Australia, June 1999, Sean Kelly, p.43

'Unfolding from the Margins', RealTime 30, April/May 1999, Andrew Nicholls, pp.8-9 (illust.p.9)

'Down by the Sea',World Sculpture News, Vol 5, #1 Winter 1999, Ken Scarlett, pp.33-35 (image p.34)

Artlink, v.19, n.1, March 1999, David Hansen, pp.18-21

'Arts', Westside Observer, February 19, 1999, Andrew Nicholls, p. (illust.)

'Black Humour', Black + White, #35, Feb 1999, Wendy Cavenett, pp.28-30 (illust.p29)

1998                 Aboriginal Art, Howard Morphy, Phaidon Press Ltd, London, 1998. ISBN 0714837520, pp.403-4 (Illust.)

'Peninsula Awash with Art', The Mercury, November 5  1998, Amanda Sims, p.6 (Illust)

'Sculpture by the Sea', South East Bulletin, November 4  1998, Sandra Shrub, p.1,8 (Illust)

'Interpretation of the word in their deeds', The Saturday Mercury, Hobart, Nov.28, 1998, Joerg Andersch, p.38